This clearly written guide to the Stanislavski method has long been a favorite among students and teachers of acting. Now, in light of books and articles recently published in the Soviet Union, Sonia Moore has made revisions that include a new section on the subtext of a role. She provides detailed [...]

Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers [...]

Bez «sistemy Stanislavskogo» nevozmozhno predstavit sovremennoe mirovoe teatralnoe iskusstvo. Eta stsenicheskaja teorija p segodnja lezhit v osnove prakti­cheskogo obuchenija akterov i rezhisserov pa Profilirujuschem kurse «masterstvo ak­tera» i «masterstvo rezhissera».V samom polnom, «kapi[...]

Pered vami odno iz samykh znamenitykh i vostrebovannykh proizvedenij velikogo russkogo rezhissera, znamenitogo aktera, pedagoga i teatralnogo dejatelja K.S. Stanislavskogo "Rabota aktera nad soboj. Dnevnik uchenika". Etot trud na protjazhenii mnogikh desjatiletij javljaetsja nastolnoj knigoj ljubogo[...]

An Actora (TM)s Work on a Role is Konstantin Stanislavskya (TM)s classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to onea (TM)s role. Originally published over half a century ago as Creating a Role, this[...]